xiv, 145p., 54 Graphics, App., Bib., Index, 23 cm.
CONTENTS
DESCRIPTION
Rasa, as an aesthetic experience, has always been a dominant feature of art and art criticism in India. This study examines rasa as related to Indian music, specially the raga. A new approach has been made for uniderstanding the complex issue of raga-rasa relation, wherein, theories and tools of modern scientific technology have been employed.
