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Sahaja: The Role of Doha and Caryagiti in the Cultural Indo-Tibetan Interface / Loseries, Andrea (Ed.)
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Sahaja: The Role of Doha and Caryagiti in the Cultural Indo-Tibetan Interface
Loseries, Andrea (Ed.)
 
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List Price : US$ 62.44
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  Book ID : 42887
  ISBN-10 : 93-80852-47-9 / 9380852479
  ISBN-13 : 978-93-80852-47-8 / 9789380852478
  Place of Publication : Delhi
  Year of Publication : 2015
  Edition : (First Edition)
  Language : English
  viii, 168p., 4p. Plts., Col. Illus., 25 cm.
   
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 CONTENTS
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CONTENTS:-
- Introduction to the Theme / Andrea Loseries.
- Sahajayana: An Excursus into Origins / Pranabananda Jash.
- Saraha's sahaja Tradition in the Light of the Dohakosa Commentary by a Nepalese (?) Adayavajra / Klaus-Dieter Mathes.
- Indian Caryagiti Songs in Tibetan narrative / David Templeman.
- Virupa's karmacandalika Dohakosagiti- A Translation from the Tibetan with an Analyzes and Commentary Based on the Hevajra Tantra / Andrea Loseries.
- Lhan cig skyes grub (Sahaja Siddhi) of Sri Dombi Heruka: A Hermeneutic Exposition / Suniti Kumar Pathak.
- The Indian mahasiddha Tilopa's Upadesa on Sahaja-Mahamudra i the Eyes of Karma pa Rang byung rdo rje / Martina Draszcyk.
- Mahamudra: A Critique by Sakya Pandita (1182-1251) / Shedrup Tenzin.
- Carya Songs and Newar Buddhists: Ritual Singing in Vajrayana Buddhism of Nepal / Shanker Thapa.
- Baba balanatha as a Mystic Teacher with Special Reference to Natha Samprayada and Buddhist Siddhas / Bimalendra Kumar.
- Exploring the Uses of the Term Sahaja in HIndu-Tantra: Studying Selected Texts of the Vaisnava Sahajiyas of Bengal / Glen Alexander Hayes.
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 DESCRIPTION
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Sahaja is the natural state of mind realised as bliss void by the Mahasiddhas. The Siddhas' realisation of this void is in the form of songs of enlightenment called Doha or Charyagiti, simple allegories of nature and village life. The lyrics portray erotic mysticism to express the experience of Tantric sadhana. This book presents selected contributions at conferences on the subject that critically re-evaluate Doha and Charyagiti collections of songs, referring to works of yore as well as scholarly contributions in the modern era. Beginning by discussing the origins of the sahajayana, the articles explore the Indian mahasiddha traditions in Tibetan translation, the Tibetan Shakyapa tradition on Mahamudra and Karma Kagyu perspective, the Buddhist Nawar tradition from Nepal, the Indian Natha tradition, and the Vaishnava Sahajiya tradition of Bengal. The aim is, among other things, to understand the concept of sahaja from a contemporary Indian perspective.

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