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Natyasastra in the Modern World / Tripathi, Radhavallabh (Ed.)
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Natyasastra in the Modern World
Tripathi, Radhavallabh (Ed.)
 
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List Price : US$ 32.90
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  Book ID : 42394
  ISBN-10 : 81-246-0722-2 / 8124607222
  ISBN-13 : 978-81-246-0722-0 / 9788124607220
  Place of Publication : Delhi
  Year of Publication : 2014
  Edition : (First Edition)
  Language : English
  viii, 159p., 34 B/W Plts., 3 Figs., 25 cm. (Proceedings of the 15th World Sanskrit Conference, Vol. III: Special Panel on Natyasastra, edited by Radhavallabh Tripathi)
   
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 CONTENTS
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CONTENTS:-
1. Bharata's Natyasastra and Traditional indian Theatre: The Issue of the Identity of indian Theatre and the Impact of Natyasastra Tradition on the Contemporary Theatre.
2. The Concept of Vrtti in Natyasastra.
3. Artaud's Poetics, or Natyasastra and Post-modern Theatre.
4. Natya vs. Greek Tragedy.
5. Natyasastra and Traditional Theatres of South India.
6. Some Significant Variants in the Rasa and Bhava Chapters as Recorded in the Newari Manuscripts.
7. Abhijnanasakuntalam on Modern Stage.
8. Syntax of Dance Movements.
9. Natyasastra and its Regional Manifestations.
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 DESCRIPTION
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Natyasastra of Bharatamuni, considered as the fifth Veda, has remained a Samhita with a systematic presentation of conceptual frameworks, theories and practices of Indian theatre for a few millennium years. Every performing art of India (dance–drama) has drawn both theoretical and aesthetics values from Bharata and his Natyasastra, giving continuity to a legacy, as it was written to set models and standards for actors, artisans, and the playwrights. Natyasastra’s discovery in the nineteenth century was a milestone in the world history of aesthetics and theatre. The subsequent researches made Bharata and his theatre a vibrant topic of global dialogue and researches. This has resulted in the discovery of different versions of the Natyasastra.

This volume discusses in detail the divergent views on Natyasastra - its origin, concepts, philosophy, history, vrtti, impact on traditional stages, relevance in modern age and stage, and its applicability in post-modern stage. It also vividly talks about the interlinks between Natyasastra and the regional theatre forms with specific focus on south India. It therefore reinstates the fact that the regional theatric traditions have considerably contributed to the restructuring of Natyasastra texts.

With deliberations on varied topics, this book proudly announces that Natyasastra is not just a text, but a tradition of theatre that has remained vibrant till today, reminiscent of Indian world-view. And this makes this volume a must-study for ßwho is whoû in the theatric domain.

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