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Indian Gods and Goddesses; 5 Volumes (in 6 parts) / Nagar, Shantilal
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Indian Gods and Goddesses; 5 Volumes (in 6 parts)
Nagar, Shantilal
 
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List Price : US$ 437.50
Our Price : US$ 350.00

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 PRODUCT DETAILS
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  Book ID : 28049
 
 
  Place of Publication : Delhi
  Year of Publication : 1998 - 2008
  Edition : (First Edition)
  Language : English
  DETAILS:-
Vol.1: xvii, 148p., 61 Plts., 50 Figs., 29 cm. ISBN: 81-7646-033-8;
Vol.2: 29 cm. ISBN: 81-7646-170-9;
Vol.3: 310p., 65 B/W & Col. Photos, 29 cm. ISBN: 81-7646-497-X.
Vol.4: xxiv, 284p.+179p., B/W & Col. Plts., 29 cm. ISBN: 81-7646-495-3.
Vol.5: xvi, 192p., 180 B/W Plts., 29 cm. ISBN: 978-81-7646-637-0.
   
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 CONTENTS
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CONTENTS:-

Vol.1: The Early Deities from Chalcolithic to Beginning of Historical Period: I. Introduction. II. Female deities: 1. The Mother Goddess. 2. Sakti worship. 3. The Earth Mother or Earth Goddess. 4. Sakambhari. 5. Tree Goddess. 6. Lajja Gauri or Aditi. 7. Eye Goddess. 8. Nursing mother. III. Male deities: 1. Siva or Pasupati. 2. Two headed deity. 3. Linga worship. 4. Yama. IV. The composite forms: 1. Human and animal forms: i. Half human and half serpent. ii. Half human and Half bull. iii. Half woman and half tiger (or Durga). 2. Animals with human heads: i. Human faced elephant. ii. Human faced goat or ram. 3. Multi-headed animals. 4. Other composite animals. 5. Human with horns. 6. Tiger-leopard and rhinoceros. V. Sacred animals, birds and reptiles: 1. Animals:- (i) Buffalo, (ii) Monkeys, (iii) Bull, (iv) Goat. 2. Acquatic animals:- Tortoise, Crocodile. 3. Birds:- Peacock, Dove. 4. Reptiles:- Snakes. VI. Tree worship and forest deities. VII. The mythology. VIII. Forces of nature and their adoration: 1. The fire (Agni). 2. The sun. 3. The water. IX. Svastika. X. Epilogue.

Vol.2: The Vedic Deities: 1. Introduction. 2. The Sky Gods. 3. Gods of the space. 4. The Gods of water. 5. Minor Gods. 6. Female deities. 7. The composite or the dual Gods. 8. Asta-Dikpalas and Ksetrapati. 9. The sacred trees. 10. The birds. 11. Epilogue.

Vol.3: Hindu, Jain and Buddhist Goddesses: 1. Introduction. 2. Deities of the Chalcolithic age. 3. The Vedic deities. 4. The Hindu Goddesses. 5. The Jaina Goddesses. 6. The Buddhist female deities.

Vol.4: Yogini Shrines and Saktipithas (in 2 parts): 1. Introduction; Section-1 Yogi,s Yoginis and their temples; 2. The Yogis, Yoginis and Bhairavas; 3. Yoginis temples in India; Section- 2 Historical aspects, Tantras, Cakras and Yantras; 4. Historical Overtones; 5. The tantras; 6. Cakras and Yantras; Section-3 Saktipithas; 7. Saktipithas; Section-4 Bhavanisahasranama; 8. Bhavanisahasranama; 9. Epilogue.

Vol.5: Deities in Terracotta Art: Earliest Times to Late Medieval Period.

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 DESCRIPTION
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India is the country predominantly having the religious background and several deities have influenced the people from the time immemorial. Some of them, having the remote origin dominated the Indian religious scene for sometime, while some of them continued their influence over the contemporary society for a limited period and were rejected by the society or made them to disappear as rapidly as they had mushroomed over the Indian religious horizon. Still there were some Gods and Goddesses, who though claiming quite a remote origin, continued to dominate the Indian religious thought in one form or the other, reaching the modern times. The Vedic deities in India are considered to be the earliest in the sub-continent and scholars have tried to find out their presence in one form or the other even in the Harappan culture or even earlier to that. Indeed some of the Vedic Gods like Visnu, Prajapati (Brahma), Rudra (Siva), Ganapati, Hanuman, Garuda, Varaha and others so infuenced the society that they continued their travel casting forceful impact on the minds of the people, reaching the modern times. Some of these still enjoy a powerful place in the Indian religious literature and art. An astonishing aspect of the Vedic Gods has been the presence of the composite forms, and these composite forms did not travel beyond the Vedic times, but could be considered to be the forerunners of the later composite forms, so abundantly available in the medieval times.
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